This research engages the unremitting question imposed on Blackness, as explicated by W.EB DuBois in his seminal work The Souls of Black Folk (1903), “How does it feel to be a problem?” Through a critical reading of Barnor Hesse’s theory of Black fugitive thought, and escapology as Black routine, I re-envision Gilroy’s Black Atlantic as the digital space, in which the saga of the heroic Black subject continues to unfold. Here, Black consciousness is uploaded into the Digisphere in pursuit of the ultimate goal of Black liberation – disembodied and yet living through technology.
In my doctoral thesis, I theorise the emergent politics of Black consciousness online as the deliberate counter-cultural production of contemporary Black fugitives. That is, the practice of Black love; undeniably outlawed under capitalist white supremacist patriarchy. In the tradition of Black fugitives, I draw on autoethnography and digital text as testimony, to tell the story of Blackness consciousness tethered to Black identities in contemporary Britain.